The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 16
... particular tribe living in a particular place at a particular time , they keep us from communicating with any tribal entity except ourselves , reading . Perloff has perceived that historiographic irony . But to do so she has had to ...
... particular tribe living in a particular place at a particular time , they keep us from communicating with any tribal entity except ourselves , reading . Perloff has perceived that historiographic irony . But to do so she has had to ...
Página 84
... particular became my first real poetic obsession , for the way it managed to incorporate a Shelleyian lyricism and ro- manticism into the austere and discontinuous linguistic framework of projec- tive verse . In all these poets ' works ...
... particular became my first real poetic obsession , for the way it managed to incorporate a Shelleyian lyricism and ro- manticism into the austere and discontinuous linguistic framework of projec- tive verse . In all these poets ' works ...
Página 85
... particular poets and schools of poetry . The first of these is largely a product of the celebrity his work has achieved since the midseventies , a period in which he has displaced Robert Lowell as the paradigmatic poetic figure of the ...
... particular poets and schools of poetry . The first of these is largely a product of the celebrity his work has achieved since the midseventies , a period in which he has displaced Robert Lowell as the paradigmatic poetic figure of the ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York