The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 127
... poets in the age of Homer , Bloom traces the historical lineage of " poetic influence " through “ Cartesian dualism " up to " our sense " of the phrase as it was first used by Coleridge . In the course of that development , he suggests ...
... poets in the age of Homer , Bloom traces the historical lineage of " poetic influence " through “ Cartesian dualism " up to " our sense " of the phrase as it was first used by Coleridge . In the course of that development , he suggests ...
Página 169
... poetic " buddy movie . " Yet the way of understanding these poets , their worlds , and their relation- ship to one another is not by way of a genealogy of influence , anxious or other- wise . These two poets who , perhaps above most ...
... poetic " buddy movie . " Yet the way of understanding these poets , their worlds , and their relation- ship to one another is not by way of a genealogy of influence , anxious or other- wise . These two poets who , perhaps above most ...
Página 170
... poetic allegiances , the narrative of influence could be romantic , envisioning the transcendence of the poet and the ultimate victory ( as the young poet ap- plies the lessons of his or her elders ) of light over darkness ; satiric ...
... poetic allegiances , the narrative of influence could be romantic , envisioning the transcendence of the poet and the ultimate victory ( as the young poet ap- plies the lessons of his or her elders ) of light over darkness ; satiric ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York