The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 30
... possibility of a transformed political order . Unfortunately this very sense of transcendental possibilities also proves love's most naturalizing trap . Given the intensity and focus of erotic desire , it is not surprising that for ...
... possibility of a transformed political order . Unfortunately this very sense of transcendental possibilities also proves love's most naturalizing trap . Given the intensity and focus of erotic desire , it is not surprising that for ...
Página 89
... possibilities of failure and regression . In Ashbery's work this process is closer to the original Freudian paradigm ... possibility of achieving its aims than Ashbery's , even though its aims are more grandiose ) . And also like Ash ...
... possibilities of failure and regression . In Ashbery's work this process is closer to the original Freudian paradigm ... possibility of achieving its aims than Ashbery's , even though its aims are more grandiose ) . And also like Ash ...
Página 106
... possibility of overflowing and invokes a libidi- nal energy no longer centered upon the self . This saturation and porousness begin a reconsideration of the lyric . The very name or authorship of the poem is set adrift , the possibility ...
... possibility of overflowing and invokes a libidi- nal energy no longer centered upon the self . This saturation and porousness begin a reconsideration of the lyric . The very name or authorship of the poem is set adrift , the possibility ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York