The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 35
... present tense that can be fully engaged . And then this present itself takes on a strange doubleness . If we can move from a " now " to a " really now , " we can also imagine an instant that is inseparable from a future . Saying ...
... present tense that can be fully engaged . And then this present itself takes on a strange doubleness . If we can move from a " now " to a " really now , " we can also imagine an instant that is inseparable from a future . Saying ...
Página 36
... present , through the lovers ' own sense of themselves in the past tense , to the desperate blend of present and future in the many meanings of " it must be there " ( some of which barely restrain hysteria ) , to the absolutely bare ...
... present , through the lovers ' own sense of themselves in the past tense , to the desperate blend of present and future in the many meanings of " it must be there " ( some of which barely restrain hysteria ) , to the absolutely bare ...
Página 46
... present , and future in nearly all of Ashbery's poetry is present as well in the work of Comte de Lautréamont , whose masterpiece , Les Chants de Maldoror , embod- ies the poles of the human spirit , its capacities for both good and ...
... present , and future in nearly all of Ashbery's poetry is present as well in the work of Comte de Lautréamont , whose masterpiece , Les Chants de Maldoror , embod- ies the poles of the human spirit , its capacities for both good and ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York