The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 47
... reality and substituting for it a bizarre conglomerate reality that is both mysterious and inexplicable , unable to be domesticated and contained by the culturally acceptable art of any given age . Alex de Jonge puts it this way ...
... reality and substituting for it a bizarre conglomerate reality that is both mysterious and inexplicable , unable to be domesticated and contained by the culturally acceptable art of any given age . Alex de Jonge puts it this way ...
Página 149
... reality so as to make that reality visible . Althusser elaborates upon the relationship between art and ideologically determined reality : This relationship is not one of identity but one of difference . I believe that the peculiarity ...
... reality so as to make that reality visible . Althusser elaborates upon the relationship between art and ideologically determined reality : This relationship is not one of identity but one of difference . I believe that the peculiarity ...
Página 155
... reality was thus suspended , and all things appeared possible . By the midseven- ties , however , reality had irrefutably returned . Jameson's premise , whether it is correct or not , speaks to our mythology of the late sixties and ...
... reality was thus suspended , and all things appeared possible . By the midseven- ties , however , reality had irrefutably returned . Jameson's premise , whether it is correct or not , speaks to our mythology of the late sixties and ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York