The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 4
... remains a dark continent . " 13 Ashbery , Lehman contends , is misunderstood and even hated , but he finds some solace in the fact that at least Ashbery has hostile readers : " No other poet of our time has man- aged so consistently to ...
... remains a dark continent . " 13 Ashbery , Lehman contends , is misunderstood and even hated , but he finds some solace in the fact that at least Ashbery has hostile readers : " No other poet of our time has man- aged so consistently to ...
Página 46
... remains as mysterious as “ a shot in the dark . " In fact , clichéd phrases like " a shot in the dark " are irrefutable evidence of how psychologically connected we are as human beings : You've no mansion for this to happen in . But ...
... remains as mysterious as “ a shot in the dark . " In fact , clichéd phrases like " a shot in the dark " are irrefutable evidence of how psychologically connected we are as human beings : You've no mansion for this to happen in . But ...
Página 139
... remains circumspect about the " lure " such a comfortable way of seeing holds over the self , recognizing that " these mornings are doing / what they always do for my eyes , " namely , attracting them to particulars on which the ...
... remains circumspect about the " lure " such a comfortable way of seeing holds over the self , recognizing that " these mornings are doing / what they always do for my eyes , " namely , attracting them to particulars on which the ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York