The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 88
... romantic one - but this is quite different from the abstract ver- sion of romantic contestation his poetry enacts . The poets who have been most directly influenced by his work , and whose interest in it largely predates its more public ...
... romantic one - but this is quite different from the abstract ver- sion of romantic contestation his poetry enacts . The poets who have been most directly influenced by his work , and whose interest in it largely predates its more public ...
Página 151
... Romantic tradi- tion . I would explain this observation in a manner that does not contradict Bloom's explanation but rather accounts for it in a more encompassing and political context . The sixties is a moment when the American Romantic ...
... Romantic tradi- tion . I would explain this observation in a manner that does not contradict Bloom's explanation but rather accounts for it in a more encompassing and political context . The sixties is a moment when the American Romantic ...
Página 194
... Romantic ethic of solo craftsmanship , dominant hitherto in the art world and associated with the high modernist cultural values of originality and authenticity . In fact , Three Flags signals the end of one of the most corrosive civil ...
... Romantic ethic of solo craftsmanship , dominant hitherto in the art world and associated with the high modernist cultural values of originality and authenticity . In fact , Three Flags signals the end of one of the most corrosive civil ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York