The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 89
... seems called for by the scale of the poem ) . The result is a poetry that bears the unmistakable marks of Ashbery's style and cast of mind , yet which does not seem at all imitative . What Crase does in a way is receive Ashbery into the ...
... seems called for by the scale of the poem ) . The result is a poetry that bears the unmistakable marks of Ashbery's style and cast of mind , yet which does not seem at all imitative . What Crase does in a way is receive Ashbery into the ...
Página 219
... seems always a little ahead or behind . The ceaseless fluidity of Three Poems is no less unsettling than the endless ... seems , finally , past . Always , it's a Kind of obvious thing I guess , amazed by that Cycle : that first you ...
... seems always a little ahead or behind . The ceaseless fluidity of Three Poems is no less unsettling than the endless ... seems , finally , past . Always , it's a Kind of obvious thing I guess , amazed by that Cycle : that first you ...
Página 220
... seems , " " feel " ) . Ashbery's " we " is homiletic ; Bernstein's is interpersonal . But Bernstein's poetic rhythms and emotive register are counterpointed by his prosaic diction , “ Always , it's a / Kind of obvious thing I guess ...
... seems , " " feel " ) . Ashbery's " we " is homiletic ; Bernstein's is interpersonal . But Bernstein's poetic rhythms and emotive register are counterpointed by his prosaic diction , “ Always , it's a / Kind of obvious thing I guess ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York