The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 48
... stanza , and lines 2 and 4 of that stanza recur as lines 1 and 3 of the next stanza , and so on until lines 2 and 4 of the last stanza are the same [ having come " full circle " ] as lines 1 and 3 of the first stanza ) where emphasis on ...
... stanza , and lines 2 and 4 of that stanza recur as lines 1 and 3 of the next stanza , and so on until lines 2 and 4 of the last stanza are the same [ having come " full circle " ] as lines 1 and 3 of the first stanza ) where emphasis on ...
Página 78
... stanza . This exuberant vision of process al- most seems to take the place of the pastoral vision at the opening of the poem . But we come out the other side of the thought as a retrospective " we . " Having reached the end of the line ...
... stanza . This exuberant vision of process al- most seems to take the place of the pastoral vision at the opening of the poem . But we come out the other side of the thought as a retrospective " we . " Having reached the end of the line ...
Página 254
... stanza break . In its new position , the senten- tious sentence announces the " continuance " of Ashbery's arduous ... stanza is punctuated by an isolated line , a snatch of phenomena appropriately phrase - measured but full - stopped ...
... stanza break . In its new position , the senten- tious sentence announces the " continuance " of Ashbery's arduous ... stanza is punctuated by an isolated line , a snatch of phenomena appropriately phrase - measured but full - stopped ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York