The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 280 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 87
... traditional resources . 3 I think that this is correct . And the traditional resources he seeks to con- serve are the fundamental impulses of romanticism , which I would charac- terize as subjectivity's contestation of its objective ...
... traditional resources . 3 I think that this is correct . And the traditional resources he seeks to con- serve are the fundamental impulses of romanticism , which I would charac- terize as subjectivity's contestation of its objective ...
Página 108
... traditional lyric poetry - the voice coupled with music , form- ing a doubled voice , exemplified by " Litany " in As We Know - is extended far past the genre's traditional boundaries . The double sestina embedded in Flow Chart ...
... traditional lyric poetry - the voice coupled with music , form- ing a doubled voice , exemplified by " Litany " in As We Know - is extended far past the genre's traditional boundaries . The double sestina embedded in Flow Chart ...
Página 171
... traditional ) mythic pattern . " 18 We have , finally , a vision not only of poetic history- " though thoroughly traditional " -but of pure history , the story of strong poets . My point is that narratives of influence colonize ...
... traditional ) mythic pattern . " 18 We have , finally , a vision not only of poetic history- " though thoroughly traditional " -but of pure history , the story of strong poets . My point is that narratives of influence colonize ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York