The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 33
... turn to each other , locating through that turn the deep alternative to romance absolutes . Rather than immerse themselves in present moments that are elsewhere , the lovers can make their past a recur- rent source of romantic ...
... turn to each other , locating through that turn the deep alternative to romance absolutes . Rather than immerse themselves in present moments that are elsewhere , the lovers can make their past a recur- rent source of romantic ...
Página 65
... turn their backs to you " ( 55 ) . Nevertheless , he persists in viewing the world as a sublime landscape : Sure enough : in the pale gray and orange distances to the left , a Waterspout is becoming distinctly visible . Beautiful , but ...
... turn their backs to you " ( 55 ) . Nevertheless , he persists in viewing the world as a sublime landscape : Sure enough : in the pale gray and orange distances to the left , a Waterspout is becoming distinctly visible . Beautiful , but ...
Página 72
... turn into institutional structures : tax assess- ment areas , seminaries , and so on , at which point they are " not worth join- ing , " and the ox of desire has pulled the cart away . Ashbery subverts the linear narrative he invokes ...
... turn into institutional structures : tax assess- ment areas , seminaries , and so on , at which point they are " not worth join- ing , " and the ox of desire has pulled the cart away . Ashbery subverts the linear narrative he invokes ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York