The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 231
... verses is not the comma but the ellipsis . A printer's mark indicating the elision or erasure of an indefinite ... verse paragraph : But at times such as these late ones , a moaning in copper beeches is heard , of regret , not for ...
... verses is not the comma but the ellipsis . A printer's mark indicating the elision or erasure of an indefinite ... verse paragraph : But at times such as these late ones , a moaning in copper beeches is heard , of regret , not for ...
Página 251
... verse or prose paragraphs or blocks . The English verse paradigm for poetic sections is the sonnet se- quence , and sections of poems often stand more or less alone as independent poems . Poetry books may also be divided into sections ...
... verse or prose paragraphs or blocks . The English verse paradigm for poetic sections is the sonnet se- quence , and sections of poems often stand more or less alone as independent poems . Poetry books may also be divided into sections ...
Página 254
... verse off verse . This dysraphic poem opens with Stevensian philosophical intoning : These decibels Are a kind of flagellation , an entity of sound Into which being enters , and is apart . ( RM 34 ) The eleven - line sentence - measured ...
... verse off verse . This dysraphic poem opens with Stevensian philosophical intoning : These decibels Are a kind of flagellation , an entity of sound Into which being enters , and is apart . ( RM 34 ) The eleven - line sentence - measured ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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Términos y frases comunes
abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York