The Tribe of John: Ashbery and Contemporary PoetrySusan M. Schultz University of Alabama Press, 1995 M05 30 - 296 páginas Fourteen essayists break new ground by focusing on a new generation of postmodern poets who are clearly indebted to John Ashbery's work This concentration on Ashbery's influence on contemporary American poetry provides new methods for interpreting and understanding his poetic achievement. |
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Página 9
... writing that is generated from other writing , " an incident of dis- turbance , " as Donald Revell describes it here . Even more radically , Ross and Shoptaw argue that Ashbery - the Tennis Court Ashbery , that is- " presents ... an ...
... writing that is generated from other writing , " an incident of dis- turbance , " as Donald Revell describes it here . Even more radically , Ross and Shoptaw argue that Ashbery - the Tennis Court Ashbery , that is- " presents ... an ...
Página 46
... writer , and it's also a kind of with- drawal from an active , adventurous life , or a life of connectedness with others . That sort of life lies beyond the realm of reading and writing , but the writer's use of language and the ...
... writer , and it's also a kind of with- drawal from an active , adventurous life , or a life of connectedness with others . That sort of life lies beyond the realm of reading and writing , but the writer's use of language and the ...
Página 95
... writing is absolutely unalterable . The writing in " The Double Dream of Spring " changes with every reading because of the inherent incompleteness and stubborn pro- visionality of its figures . In automatic writing , the unconscious ...
... writing is absolutely unalterable . The writing in " The Double Dream of Spring " changes with every reading because of the inherent incompleteness and stubborn pro- visionality of its figures . In automatic writing , the unconscious ...
Contenido
Typical Ashbery | 15 |
Ashbery as Love Poet | 26 |
John Ashberys Later Poetry | 38 |
Derechos de autor | |
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abstract American Poetry Ann Lauterbach argues Ashbery's poems Ashbery's poetry becomes begins Bernstein bery bery's Bloom Charles Bernstein clichés consciousness construction contemporary Convex Mirror criticism CRUZ The University crypt words culture David Lehman desire discourse Donald Revell Double Dream Douglas Crase Dream of Spring eros Essays feel Flow Chart Harold Bloom Hotel Lautréamont Ibid imagination influence John Ashbery John Koethe kind Koethe landscape language Lauterbach lines live lovers lyric Marjorie Perloff marks meaning measure meditation memory metaphor mode narrative opening pantoum phrase poem's poet's poetic poets polyphonic postmodern present prose punctuation reader reading reality reverie romantic SANTA CRUZ seems Self-Portrait sense sentence sixties social space SPCM speaker stanza suggests Tennis Court Oath things Three Poems tion traditional University Library UNIVERSITY UNIVERSITY OF CALIFORNIA University Press verse vision voice Welish William Bronk writing York