Romanticism: Comparative DiscoursesRoutledge, 2017 M11 28 - 222 páginas Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation. |
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... psychoanalytic reading of Gilbert and Gubar (Madwoman in the Attic), especially in its insistence upon female modesty and reticence as tools of patriarchal compliance and complicity . Cass argues that this line of criticism is.
... psychoanalytic reading of Gilbert and Gubar (Madwoman in the Attic), especially in its insistence upon female modesty and reticence as tools of patriarchal compliance and complicity . Cass argues that this line of criticism is.
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... her defense of her honor. By having her embody some of the characteristics which patriarchal society desired of the ideal woman at this period ("Ma Jenny est si douce, si timide," [Act I, v: trans. "My Jenny is so sweet, so.
... her defense of her honor. By having her embody some of the characteristics which patriarchal society desired of the ideal woman at this period ("Ma Jenny est si douce, si timide," [Act I, v: trans. "My Jenny is so sweet, so.
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... patriarchal mode of female subjugation and to put it into question since she escapes by using her wits (Dunkley, 55).6 By the 1790s rescue operas were extremely popular, both in Britain and France, and adaptations of popular gothic ...
... patriarchal mode of female subjugation and to put it into question since she escapes by using her wits (Dunkley, 55).6 By the 1790s rescue operas were extremely popular, both in Britain and France, and adaptations of popular gothic ...
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... their discontent at the misogynist, racist, and violent injustices of patriarchal society. According to David Charlton, the phases of the French Revolution produced melodrama's thematics in accord with the moment : the early years.
... their discontent at the misogynist, racist, and violent injustices of patriarchal society. According to David Charlton, the phases of the French Revolution produced melodrama's thematics in accord with the moment : the early years.
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Contenido
Romantic | |
Fragile | |
Romantic Drama and the Discourse | |
Towards Constructing a Poetics of Space | |
The Second Soulless Sex? Mary | |
Ithuriels Spear and and Detecting | |
Hemans Landon and Barret | |
The Discourse of Religious Bildung in Anne | |
Readerly Agency and the Discourse | |
Epistolary Journal into | |
A | |
Index | |
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Términos y frases comunes
aesthetic Agnes Grey Anne Brontë argues artist audience Bachelard become Belinda Berglinger Bildung Bildungsroman British Brun Brun's Burke Byron Cambridge charm Cited claims Coleridge Coleridge's crime criminal critical cultural discourse domestic drama English essay father Fears in Solitude feelings female France French Revolution Freud gender genre gothic gothic novels Hastings Hervey human ideology imagination Ithuriel's spear journal language Ledbury literary literature London lyric Mahometan Manfred Manfred's Maria Edgeworth Mary Wollstonecraft McGann melodrama metaphor Milton mind Monimia Napoleon nature nineteenth century novel Ochiltree Old Manor House Oldbuck opéra comique Opera IX Orlando Oxford Paradise Lost passage passions play plerosis plerotic poem poet Poetics of Space poetry political popular punishment Rayland Hall readers reference rescue operas Romantic Romanticism Samuel Taylor Coleridge Satan Scott secret Sedaine Sedaine's social society soul stage sublime suggests Talleyrand theater Wackenroder Wackenroder's woman Wordsworth writes