Down Home and Uptown: The Representation of Black Speech in American FictionFairleigh Dickinson University Press, 1984 - 216 páginas Holton's thesis is that regardless of its categorization by linguists as a dialect or creole language, the speech of black Americans is distinctive and is an emergent literary language. She reviews the efforts to define the nature and historical origins of black English and its linguistic features and describes how the shaping of a convention for representing black speech was followed by a reaction demanding a realistic representation of the speech of black Americans. This reaction was central to the formation of a black literary aesthetic in the postmodern period, and its development is illustrated by the writings of Harriet Beecher Stowe, Langston Hughes, Mark Twain, William Faulkner, Toni Morrison. She also examines the varieties of narrative method available to American fiction writers with the black and standard English at their disposal, as well as the relationship between black fictional characters and the narrators. |
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Página 91
... laughed at and can never be taken seriously by the reader . Consideration of the representation of black dialectal speech in Ameri- can fiction over the course of the nineteenth century is likely to present a rather disturbing picture ...
... laughed at and can never be taken seriously by the reader . Consideration of the representation of black dialectal speech in Ameri- can fiction over the course of the nineteenth century is likely to present a rather disturbing picture ...
Página 100
... laughed in loud peals that rang over the square . Aleck recovered his dignity and demanded angrily : " Does yer belong ter de Heroes ob Americky ? " " Na - sah . I ain't burnt nobody's house ner barn yet , ner hamstrung no stock , ner ...
... laughed in loud peals that rang over the square . Aleck recovered his dignity and demanded angrily : " Does yer belong ter de Heroes ob Americky ? " " Na - sah . I ain't burnt nobody's house ner barn yet , ner hamstrung no stock , ner ...
Página 118
... laughed without restraint . In fact , they talked straight from their lungs and laughed from the pits of their stomachs . And this hearty laughter was often justified by the droll humour of some remark . I paused long enough to hear one ...
... laughed without restraint . In fact , they talked straight from their lungs and laughed from the pits of their stomachs . And this hearty laughter was often justified by the droll humour of some remark . I paused long enough to hear one ...
Contenido
Preface | 9 |
Linguists and Speakers Today | 34 |
The Identification of | 55 |
Derechos de autor | |
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Down Home and Uptown: The Representation of Black Speech in American Fiction Sylvia Holton Peterson Vista de fragmentos - 1984 |
Términos y frases comunes
African ain't American associated awareness become begin black characters Black English Black English dialect century characteristics clearly concerning considered consonant clusters critics culture describes dialect speech discussion distinctive double educated established example experience expression fact fiction final grammatical features Grammatical Features Verbs Gullah Harlem identified important Invisible Lack of subject-verb language later linguistic literary literature living look Loss meaning minstrel show narrator negative Negro never novel origins passage past perhaps person position possible present Press pronounced Pronunciation Features race reader recorded Reduction region representation represented result seems sentence significant slaves social sound South southern speak speech Standard English story subject-verb agreement suggest tell tense third tion tradition Uncle University usually variety verb writers York