The Reception of Blake in the OrientSteve Clark, Masashi Suzuki A&C Black, 2006 M04 1 - 360 páginas This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
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... Christian revelation . and visionary imagination . No clear - cut opposition can be drawn between a material and an idealist Blake , practising artist and speculative mythologist . His work is worldly 4 The Reception of Blake in the Orient.
... Christian revelation . and visionary imagination . No clear - cut opposition can be drawn between a material and an idealist Blake , practising artist and speculative mythologist . His work is worldly 4 The Reception of Blake in the Orient.
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... Christian mysticism dramatized in Blake's late epic . The ethic of ' Self - Annihilation ' , shown to have both source and ana- logue in Boehme's doctrine of signatures and Hartley's associationist psychology , becomes the redemptive ...
... Christian mysticism dramatized in Blake's late epic . The ethic of ' Self - Annihilation ' , shown to have both source and ana- logue in Boehme's doctrine of signatures and Hartley's associationist psychology , becomes the redemptive ...
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... Christ - like man just above , ' between the Palm tree & the Oak of weeping'.31 Though few critics have discussed it from this point of view , this particular plate clearly contains several Egyptian allusions , and it is significant ...
... Christ - like man just above , ' between the Palm tree & the Oak of weeping'.31 Though few critics have discussed it from this point of view , this particular plate clearly contains several Egyptian allusions , and it is significant ...
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... Christ's entry into Jerusalem' (WBIB 1: p. 188). As for the association of a palm tree linking the design and Blake's watercolour of 1806, The Repose of the Holy Family in Egypt (Butlin 1981, Cat. 472, Pl. 543) see Grant 1999: 94 ...
... Christ's entry into Jerusalem' (WBIB 1: p. 188). As for the association of a palm tree linking the design and Blake's watercolour of 1806, The Repose of the Holy Family in Egypt (Butlin 1981, Cat. 472, Pl. 543) see Grant 1999: 94 ...
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Contenido
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
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Africa Albion argued Arthur Boyd artists Bentley Blake studies Blakean body Book of Thel Book of Urizen Bramins British Butlin Catalogue Chinese Christian colony colour printing contemporary context copper plate critical culture darkness divine eighteenth century English engraving essay Essick eternal European exhibition Felpham Figure Four Zoas Geeta Hastings Hayley Heaven and Hell human illustrations imagination India Japan Japanese Jerusalem John Jugaku Kaneko Kyoto Lavater literature Little Black Boy London Makdisi Marriage of Heaven Matsuhashi 1999 Milton Mingei Museum mythology nature Nebuchadnezzar night Ōe's Oothoon Orient original painter painting poem poet poetry political psychogeography published question Rebekah Bliss reception religion reproductions self-annihilation sense Shirakaba Shirakaba group Sierra Leone Songs of Experience Swedenborg Swedenborgian Tanizaki Thel Thel's Thomas Alphonso Tokyo tradition transfer-printing translation Typhon Ukiyo-e Urizen vision Wadström Wedgwood Western Wilkins William Blake William Hayley writing Yanagi