The Reception of Blake in the OrientSteve Clark, Masashi Suzuki A&C Black, 2006 M04 1 - 360 páginas This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
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Resultados 1-5 de 69
Página ix
... Artists whose works were reproduced in Shiraleaba over 30 times. Shiraleaba (I/Vhite Birch), Vol. 4, No. 1,]anuary 1913. Shiraleaba, Blake Issue, Vol. 5, April 1914. View of the Kyoto Prefectural Library. Catalogue from the 'Shiraleaba ...
... Artists whose works were reproduced in Shiraleaba over 30 times. Shiraleaba (I/Vhite Birch), Vol. 4, No. 1,]anuary 1913. Shiraleaba, Blake Issue, Vol. 5, April 1914. View of the Kyoto Prefectural Library. Catalogue from the 'Shiraleaba ...
Página xi
... Ancient Israelite Custom' (2001), and he is co-author of Gnosticism (2001) and William Blalee: Trans-Boundary. Artist. (2002). Jeremy Tambling is Professor of Comparative Literature at the University Notes on Contributors xi.
... Ancient Israelite Custom' (2001), and he is co-author of Gnosticism (2001) and William Blalee: Trans-Boundary. Artist. (2002). Jeremy Tambling is Professor of Comparative Literature at the University Notes on Contributors xi.
Página 4
... and visionary imagination. No clear-cut opposition can be drawn between a material and an idealist Blake, practising artist and speculative mythologist. His work is worldly both 4 The Reception ofBlalee in the Orient.
... and visionary imagination. No clear-cut opposition can be drawn between a material and an idealist Blake, practising artist and speculative mythologist. His work is worldly both 4 The Reception ofBlalee in the Orient.
Página 5
Steve Clark, Masashi Suzuki. practising artist and speculative mythologist. His work is worldly both in the sense of its intellectual ambition and geographical inclusiveness, and in its receptivity to the continuous interchange of images ...
Steve Clark, Masashi Suzuki. practising artist and speculative mythologist. His work is worldly both in the sense of its intellectual ambition and geographical inclusiveness, and in its receptivity to the continuous interchange of images ...
Página 6
... artists Shirakaba promoted with great enthusiasm in the cultural milieu of the times. Yanagi's long essay, 'William Blake' (Shirakaba, April 1914), was the first to introduce Blake's visual artworks to Japanese readers and spectators ...
... artists Shirakaba promoted with great enthusiasm in the cultural milieu of the times. Yanagi's long essay, 'William Blake' (Shirakaba, April 1914), was the first to introduce Blake's visual artworks to Japanese readers and spectators ...
Contenido
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
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