The Reception of Blake in the OrientSteve Clark, Masashi Suzuki A&C Black, 2006 M04 1 - 360 páginas This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
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Página xii
... Influence and Afterlife since 1827 (2002), and his interests include the reception of Blake's work in the twentieth century. David Worrall is Professor of English at Nottingham Trent University. He is editor of The Urizen Booles (1995) ...
... Influence and Afterlife since 1827 (2002), and his interests include the reception of Blake's work in the twentieth century. David Worrall is Professor of English at Nottingham Trent University. He is editor of The Urizen Booles (1995) ...
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... Influence and Afterlife from 1827 (2002).5 Blake in the Orient instead adopts the central postulate that the text means what it will become: in Blake's own words, 'And tho I call them Mine I know they are not Mine' (to Dr Trusler 16 ...
... Influence and Afterlife from 1827 (2002).5 Blake in the Orient instead adopts the central postulate that the text means what it will become: in Blake's own words, 'And tho I call them Mine I know they are not Mine' (to Dr Trusler 16 ...
Página 3
... influence of East Asian cul- ture has been less fully considered . 7 The availability to him of such exquisite oriental manuscripts raises the intriguing possibility of actual cross - fertilization between these apparently ...
... influence of East Asian cul- ture has been less fully considered . 7 The availability to him of such exquisite oriental manuscripts raises the intriguing possibility of actual cross - fertilization between these apparently ...
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... influenced ( or contaminated ) Blake's use of skin colouring , depiction of soul – body relations , and premise that ... influence of Sir Charles Wilkins's version of the classic Indian scripture , its context of production within East ...
... influenced ( or contaminated ) Blake's use of skin colouring , depiction of soul – body relations , and premise that ... influence of Sir Charles Wilkins's version of the classic Indian scripture , its context of production within East ...
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... influence was enormous and extensive on philosophers like Tetsuro Watsuji (1889–1960), Professor of the Kyoto Imperial University, and Soetsu Yanagi (1889–1961), the founder of the Japan Folk Crafts Museum in Tokyo, who devoted a lot of ...
... influence was enormous and extensive on philosophers like Tetsuro Watsuji (1889–1960), Professor of the Kyoto Imperial University, and Soetsu Yanagi (1889–1961), the founder of the Japan Folk Crafts Museum in Tokyo, who devoted a lot of ...
Contenido
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
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