The Reception of Blake in the OrientSteve Clark, Masashi Suzuki A&C Black, 2006 M04 1 - 360 páginas This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
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... Representing Race: The Meaning of Colour and Line in William Blake's 1790s Bodies Sibylle Erle Africa and Utopia: Refusing a 'Local Habitation' Susan Matthews An Empire of Exotic Nature: Blake's Botanic and Zoomorphic Imagery Ashton ...
... Representing Race: The Meaning of Colour and Line in William Blake's 1790s Bodies Sibylle Erle Africa and Utopia: Refusing a 'Local Habitation' Susan Matthews An Empire of Exotic Nature: Blake's Botanic and Zoomorphic Imagery Ashton ...
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... represented by the body of Albion. Myth is not the antithesis of history, but engaged in a continuous two-way process of mutual redefinition. The automatic identification of Blake with a radical artisan (and highly masculinist) culture ...
... represented by the body of Albion. Myth is not the antithesis of history, but engaged in a continuous two-way process of mutual redefinition. The automatic identification of Blake with a radical artisan (and highly masculinist) culture ...
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... Representing Race: The Meaning of Colour and Line in William Blake's 1790s Bodies'. Blake's annotations to Lavater's aphorism have received extensive critical attention: her chapter assesses the degree to which his pseudoscientific ...
... Representing Race: The Meaning of Colour and Line in William Blake's 1790s Bodies'. Blake's annotations to Lavater's aphorism have received extensive critical attention: her chapter assesses the degree to which his pseudoscientific ...
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... own cosmology, with the bard figure representing his vehement dislike of repression (i.e. his dislike of Egypt as the fallen world which is founded upon power only, based on abundance 30 The Reception of Blalee in the Orient.
... own cosmology, with the bard figure representing his vehement dislike of repression (i.e. his dislike of Egypt as the fallen world which is founded upon power only, based on abundance 30 The Reception of Blalee in the Orient.
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... represented in a giant body which differs from Volney's description, yet one of the most important differences is ... represents 'the Urizenic River God' (Roe 1969: 167). Damon more precisely judges that 'it is Urizen who answers the ...
... represented in a giant body which differs from Volney's description, yet one of the most important differences is ... represents 'the Urizenic River God' (Roe 1969: 167). Damon more precisely judges that 'it is Urizen who answers the ...
Contenido
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
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Africa Albion argued Arthur Boyd artists Bentley Blake studies Blakean body Book of Thel Book of Urizen Bramins British Butlin Catalogue Chinese Christian colony colour printing contemporary context copper plate critical culture darkness divine eighteenth century English engraving essay Essick eternal European exhibition Felpham Figure Four Zoas Geeta Hastings Hayley Heaven and Hell human illustrations imagination India Japan Japanese Jerusalem John Jugaku Kaneko Kyoto Lavater literature Little Black Boy London Makdisi Marriage of Heaven Matsuhashi 1999 Milton Mingei Museum mythology nature Nebuchadnezzar night Ōe's Oothoon Orient original painter painting poem poet poetry political psychogeography published question Rebekah Bliss reception religion reproductions self-annihilation sense Shirakaba Shirakaba group Sierra Leone Songs of Experience Swedenborg Swedenborgian Tanizaki Thel Thel's Thomas Alphonso Tokyo tradition transfer-printing translation Typhon Ukiyo-e Urizen vision Wadström Wedgwood Western Wilkins William Blake William Hayley writing Yanagi