Metafiction

aesthetic alternative worlds appears argued artistic attempt aware B. S. Johnson Barthelme Barthelme’s become Borges Christine Brooke-Rose con­ consciousness construction contemporary context conventions Coover’s create critical cultural David Lodge dis­ discourse everyday world example existence experience explicitly explore fact fictional characters fictional world finally flaunting foregrounds Fowles Fowles’s French Lieutenant’s Woman function genre Gilbert Sorrentino Golden Notebook human identity John Barth’s Johnson language linguistic literary fiction literature London meaning metafictional novels metafictional texts metafictional writers metaphorical modernist Muriel Spark Muriel Spark’s Nabokov’s narrative narrator notion novelist objects ofthe one’s ontological overtly Pale Fire paradox parody play plot possible post-modernist present reading real world realism reality refer relationship reveals Russian formalist script self-conscious sense shift Slaughterhouse-Five social status story strategies structures suggests Swim-Two-Birds technique textual thriller tion traditional Tralfamadore Tristram Shandy undermined verbal Vladimir Nabokov Vonnegut’s words writing