Romanticism: Comparative DiscoursesLarry Peer, Diane Hoeveler Routledge, 2016 M04 14 - 218 páginas First published in 2006. Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. This title aims to expand the readers understand of Romantic modes of argumentation, and will be of interest to students of literature. |
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... gothic novels quickly made their way onto the popular stage, they also were adapted in a series of gothic operas that we now designate as “rescue” operas. Centering on motifs of escape from unjust imprisonment, rescue operas, in complex ...
... gothic novels of Horace Walpole, Ann Radcliffe, Matthew Lewis, and Charlotte Dacre, and then in the gothic dramas of such adapters as James Boaden, Henry Siddons, and Lewis. These gothic novels and dramas most frequently took as their ...
... gothic dramas quickly transformed into gothic operas or what are known now ... novels of Britain, while at the same time examining British opera's very ... gothic drama and opera? Are they, as Peter Brooks has observed about melodrama ...
... gothic novels about victimization and persecution reached all classes in a variety of theatrical and operatic venues. There were dozens of gothic novels written in England between 1764 and 1799, a large number of which attempted to ...
... novels and their attendance at the gothic dramas that were so quickly staged and based on those novels. French. Sources. It is necessary, therefore, to turn now to the situation in France, as there was as much artistic collaboration ...
Contenido
Romantic Poetry and the Failure of Language | |
Fragile Boundaries in Coleridges Fears | |
Romantic Drama and the Discourse of Criminality | |
A Topo | |
The Second Soulless Sex? Mary Wollstonecraft and the Mahometan | |
Edgeworths Miltonic Allusions | |
Hemans Landon and Barret Browning Rewrite Friederike | |
Readerly Agency and the Discourse of History in The Antiquary | |
Epistolary Journal into Dramatic Poem | |
Index | |