Gender, Theatre, and the Origins of Criticism: From Dryden to Manley

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Cambridge University Press, 2002 M11 28 - 175 páginas
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In Gender, Theatre and the Origins of Criticism, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.
 

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Acknowledgments page viii
1
John Drydens national
15
John Drydens
42
gender and criticism
64
The female playwright and the city lady
91
Scandals of a female nature
116
Notes
140
Bibliography
163
Index
173
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