Rhetoric and Death: The Language of Modernism and Postmodern Discourse Theory |
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Página 78
Modernism offers us texts in which there is a competition between art and life ,
between the attention to configured rhetorical detail and the “ unattended ” felt
sense of narrative progression . The ink before us calls for a figurative reading so
that ...
Modernism offers us texts in which there is a competition between art and life ,
between the attention to configured rhetorical detail and the “ unattended ” felt
sense of narrative progression . The ink before us calls for a figurative reading so
that ...
Página 84
The incompatibility of time and space renders the relationship between the
communicative and signifying aspects of language problematic : Are space and
time material grounds for these competing conceptions of rhetoric , out of which ...
The incompatibility of time and space renders the relationship between the
communicative and signifying aspects of language problematic : Are space and
time material grounds for these competing conceptions of rhetoric , out of which ...
Página 85
competition that can lead one to figure ink as life ' s poison or to conceive of
rhetorical effects as the death of intentional significance . Just as there is this
competition , Bruns continues , so there are two Madame Bovarys , one a
representation ...
competition that can lead one to figure ink as life ' s poison or to conceive of
rhetorical effects as the death of intentional significance . Just as there is this
competition , Bruns continues , so there are two Madame Bovarys , one a
representation ...
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Contenido
Modernism | 27 |
The Power of Death | 75 |
Roman Jakobson | 115 |
Derechos de autor | |
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Rhetoric and Death: The Language of Modernism and Postmodern Discourse Theory Ronald Schleifer Vista de fragmentos - 1990 |
Términos y frases comunes
activity analysis arbitrary argues articulates asserts attempts Bakhtin Barthes becomes calls cause century chapter cognition communication conceived conception condition creates criticism culture death Derrida describes desire discourse early effects elements Eliot enunciation Europe European examine existence experience face fact figure finally force Freud function future historical human idea inhabited instance Jakobson kind knowledge Lacan language less linguistic literary literature living Man's marks material meaning metaphor metonymic mode modernism modernist mourning nature negative never notes object offers opposition particular person phenomena play pleasure pleasure Principle poem poetry positive possibility postmodern precisely present produce pure radical random reading relation relationship remains reserve resonating response rhetoric says seems sense signifier simply situation speak speech Steiner structure suggests surface synecdoche takes textuality things thought transformation translation truth unconscious understanding vision voice whole writes Yeats Yeats's