Rhetoric and Death: The Language of Modernism and Postmodern Discourse TheoryUniversity of Illinois Press, 1990 - 252 páginas |
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Página 12
... Pleasure Principle . The death drive , Freud writes , " though it does not contradict the pleasure principle , is never- theless independent and seems to be more primitive than the purpose of gaining pleasure and avoiding pain " ( 1959 ...
... Pleasure Principle . The death drive , Freud writes , " though it does not contradict the pleasure principle , is never- theless independent and seems to be more primitive than the purpose of gaining pleasure and avoiding pain " ( 1959 ...
Página 13
... Pleasure Principle . In other ways , too , the death instinct is analogous to the materiality of dis- course . " The dualism of Eros and Thanatos , " Ricoeur also says , " ap- pears as a dramatic overlapping of roles . In a sense ...
... Pleasure Principle . In other ways , too , the death instinct is analogous to the materiality of dis- course . " The dualism of Eros and Thanatos , " Ricoeur also says , " ap- pears as a dramatic overlapping of roles . In a sense ...
Página 14
... Pleasure Principle , “ there is no longer any possibility of preventing the mental apparatus [ that is , the very experience of living in the modern world ] from being flooded with large amounts of stimulus " ( 1959 : 57 ) , the ...
... Pleasure Principle , “ there is no longer any possibility of preventing the mental apparatus [ that is , the very experience of living in the modern world ] from being flooded with large amounts of stimulus " ( 1959 : 57 ) , the ...
Contenido
Modernism | 27 |
The Power of Death | 75 |
Roman Jakobson | 115 |
Derechos de autor | |
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Rhetoric and Death: The Language of Modernism and Postmodern Discourse Theory Ronald Schleifer Vista de fragmentos - 1990 |
Términos y frases comunes
act of signification analysis arbitrary argues articulates asserts attempts Bakhtin binary calls century chapter cognition communication conceived conception of rhetoric contemporary creates crisis criticism culture D. H. Lawrence death instinct Derrida describes Derrida says discourse effects Eliot énoncé enunciation enunciatory Europe European existence experience fact figure Freud function Greimas guage Heart of Darkness hierarchy historical human inhabited inscribed irony Jacques Derrida Joyce knowledge Kurtz's Lacan language linguistic literary literature Man's Marlow meaning metaphor metonymic Mikhail Bakhtin modernism modernist literature mourning negative materiality never Nietzsche non-sense nothingness opposition Passage to India phenomena Pleasure Principle poem poetry possibility postmodern precisely present psychoanalysis random reading relation relationship resonating Roland Barthes Saussure Schleifer second industrial revolution semantic semiotic sense signifier simply situation speak speech Steiner structure surface synecdoche tactical Tavor Bannet textuality things transcendental transformation truth unconscious understanding violence vision voice words writes Yeats Yeats's