A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
|
Dentro del libro
Resultados 1-5 de 64
Página vi
... Africa WilliamJ. Dominik 10 Central-Eastern Europe Jerzy Axer with the assistance of Katarzyna Tomaszuk 11 France Philip Ford 12 Germany and German-Speaking Europe Volker Riedel 13 Iberian Peninsula Luisa Lo ́pez Grigera 14 Italy David ...
... Africa WilliamJ. Dominik 10 Central-Eastern Europe Jerzy Axer with the assistance of Katarzyna Tomaszuk 11 France Philip Ford 12 Germany and German-Speaking Europe Volker Riedel 13 Iberian Peninsula Luisa Lo ́pez Grigera 14 Italy David ...
Página viii
... African centers 321 21.4 The Gods Are Not to Blame, by Ola Rotimi, Arcola Theatre, London 324 25.1 Persephone, ca. 1938, by Thomas Hart Benton 374 25.2 Eyes of Oedipus, 1941, by Adolph Gottlieb 378 25.3 The Cyclops, 1977, by Romare H ...
... African centers 321 21.4 The Gods Are Not to Blame, by Ola Rotimi, Arcola Theatre, London 324 25.1 Persephone, ca. 1938, by Thomas Hart Benton 374 25.2 Eyes of Oedipus, 1941, by Adolph Gottlieb 378 25.3 The Cyclops, 1977, by Romare H ...
Página 3
... Africa (ch. 9) show that the classical tradition was alive and well outside Europe and North America. In the classics, as in other areas, scholarship has taken some novel turns since, say, the 1980s, and the chapters in the final ...
... Africa (ch. 9) show that the classical tradition was alive and well outside Europe and North America. In the classics, as in other areas, scholarship has taken some novel turns since, say, the 1980s, and the chapters in the final ...
Página 30
... (Africa 9.456–7). Or, to use the other metaphor that became popular with Petrarch and his descendants, antiquity was in the process of being born again, in a renaissance (Mommsen 1942: 226–42; Ullman 1973). This process was generally ...
... (Africa 9.456–7). Or, to use the other metaphor that became popular with Petrarch and his descendants, antiquity was in the process of being born again, in a renaissance (Mommsen 1942: 226–42; Ullman 1973). This process was generally ...
Página 38
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Otras ediciones - Ver todas
Términos y frases comunes
Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote