A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
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Página xii
... Greece (Cambridge, Mass., 1980), Three Classical Poets (Cambridge, Mass., 1982), Dignity and Decadence: Victorian Art and the Classical Inheritance (Cambridge, Mass., 1991), Classical Epic: Homer and Virgil (London, 1992), The Legacy of ...
... Greece (Cambridge, Mass., 1980), Three Classical Poets (Cambridge, Mass., 1982), Dignity and Decadence: Victorian Art and the Classical Inheritance (Cambridge, Mass., 1991), Classical Epic: Homer and Virgil (London, 1992), The Legacy of ...
Página 1
... Greece and Rome, it took many years – centuries, actually – for people to see that they were living in a fundamentally different society. This difference was self-consciously articulated in a decisive way in the fourteenth century by ...
... Greece and Rome, it took many years – centuries, actually – for people to see that they were living in a fundamentally different society. This difference was self-consciously articulated in a decisive way in the fourteenth century by ...
Página 2
... Greece and Rome are understood by later ages. Traditional classical philology aims to recover the meanings that ancient texts had in their original contexts. If, however, the reader is an active participant in the making of meaning ...
... Greece and Rome are understood by later ages. Traditional classical philology aims to recover the meanings that ancient texts had in their original contexts. If, however, the reader is an active participant in the making of meaning ...
Página 3
... Greece and Rome remained very much alive. Keats's classicism was different from Dryden's, but both meditated deeply on the remnants of antiquity and created great art from those meditations. What emerges from the chapters in this ...
... Greece and Rome remained very much alive. Keats's classicism was different from Dryden's, but both meditated deeply on the remnants of antiquity and created great art from those meditations. What emerges from the chapters in this ...
Página 7
... Greece, the shared consciousness of Greekness was underpinned by the learning of the Homeric poems, despite internal political and ethnic divisions (e.g., Dorian vs. Ionian). Homer was the first European ''classic,'' but later writers ...
... Greece, the shared consciousness of Greekness was underpinned by the learning of the Homeric poems, despite internal political and ethnic divisions (e.g., Dorian vs. Ionian). Homer was the first European ''classic,'' but later writers ...
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Términos y frases comunes
Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote