A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
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Página vii
... 23 24 25 26 Fascism Katie Fleming Psychology Fabio Stok Modern and Postmodern Art and Architecture Gail Levin Film Karl Galinsky 342 355 371 393 408 471 Figures 12.1 Johann Joachim Winckelmann monument in Stendal 180 12.2 Contents vii.
... 23 24 25 26 Fascism Katie Fleming Psychology Fabio Stok Modern and Postmodern Art and Architecture Gail Levin Film Karl Galinsky 342 355 371 393 408 471 Figures 12.1 Johann Joachim Winckelmann monument in Stendal 180 12.2 Contents vii.
Página xiv
... Architecture at the University of Notre Dame in Rome. Her most recent books include The Ecstatic Journey: Athanasius Kircher in Baroque Rome (Chicago, 2000), The Correspondence of Agostino Chigi (1466–1520) in Cod. Chigi R.V.c. (Vatican ...
... Architecture at the University of Notre Dame in Rome. Her most recent books include The Ecstatic Journey: Athanasius Kircher in Baroque Rome (Chicago, 2000), The Correspondence of Agostino Chigi (1466–1520) in Cod. Chigi R.V.c. (Vatican ...
Página 20
... architectural components, such as columns, from pagan temples, as reliquaries did small craft objects from antiquity, such as engraved gems, cameos, and coins. The most extreme literary parallel to such reutilization in architecture and ...
... architectural components, such as columns, from pagan temples, as reliquaries did small craft objects from antiquity, such as engraved gems, cameos, and coins. The most extreme literary parallel to such reutilization in architecture and ...
Página 26
... architecture (in vogue from the tenth through the thirteenth centuries, roughly) that stands in the same relation to ancient Roman institutional architecture as the Romance languages do to Latin. Alongside this indirect but pervasive ...
... architecture (in vogue from the tenth through the thirteenth centuries, roughly) that stands in the same relation to ancient Roman institutional architecture as the Romance languages do to Latin. Alongside this indirect but pervasive ...
Página 32
... architecture. Roman columns were often incorporated into Romanesque churches that, in spite of what their name suggests, were built with a decidedly unclassical style and proportion. In dialogue with Vitruvius, however, Leon Battista ...
... architecture. Roman columns were often incorporated into Romanesque churches that, in spite of what their name suggests, were built with a decidedly unclassical style and proportion. In dialogue with Vitruvius, however, Leon Battista ...
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Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote