A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
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Página 4
... develop it as she or he saw fit. In the absence of a template, somewhat different approaches emerged – a quick glance at the chapters on the classical tradition in various countries, for example, shows that most are developed ...
... develop it as she or he saw fit. In the absence of a template, somewhat different approaches emerged – a quick glance at the chapters on the classical tradition in various countries, for example, shows that most are developed ...
Página 9
... developed in the US in the 1920s which, very unusually, crossed the Atlantic to become a market leader in Britain in the following decade (Stray 1998: 278). This course attempted to provide a systematic alternative to the standard ...
... developed in the US in the 1920s which, very unusually, crossed the Atlantic to become a market leader in Britain in the following decade (Stray 1998: 278). This course attempted to provide a systematic alternative to the standard ...
Página 10
... developed originally for clerical training but now transformed into a training device for advanced work in classics. Here the professor taught his students, encouraging them to offer the results of their own research for criticism by ...
... developed originally for clerical training but now transformed into a training device for advanced work in classics. Here the professor taught his students, encouraging them to offer the results of their own research for criticism by ...
Página 21
... developed in the Middle Ages out of its ancient Roman forebear emphasized imitation of models (Ziolkowski 2001). Many medieval authors (particularly but not solely those who wrote in Latin) followed, sometimes consciously, at other ...
... developed in the Middle Ages out of its ancient Roman forebear emphasized imitation of models (Ziolkowski 2001). Many medieval authors (particularly but not solely those who wrote in Latin) followed, sometimes consciously, at other ...
Página 36
... developed a modern version of ancient Stoicism. This in turn was passed on to the painter Peter Paul Rubens (1577–1640), who used Stoic philosophy and allegory in many paintings, including The Four Philosophers (Morford 1991). Other ...
... developed a modern version of ancient Stoicism. This in turn was passed on to the painter Peter Paul Rubens (1577–1640), who used Stoic philosophy and allegory in many paintings, including The Four Philosophers (Morford 1991). Other ...
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Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote