A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
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Página xiii
... Literary Criticism (Oxford, 2006), and The Epic of America: An Introduction to Rafael Landı ́var and the Rusticatio Mexicana (London, 2006). Gail Levin is Professor of Art History, American Studies, Women's Studies, and Fine and ...
... Literary Criticism (Oxford, 2006), and The Epic of America: An Introduction to Rafael Landı ́var and the Rusticatio Mexicana (London, 2006). Gail Levin is Professor of Art History, American Studies, Women's Studies, and Fine and ...
Página 17
... literary-critical terminology the adjective was also attached to authors whose style characterized them as being truly authoritative: Aulus Gellius (second century AD) sets off the classicus adsiduusque aliquis scriptor (any classical ...
... literary-critical terminology the adjective was also attached to authors whose style characterized them as being truly authoritative: Aulus Gellius (second century AD) sets off the classicus adsiduusque aliquis scriptor (any classical ...
Página 19
... literary historians, did not differentiate texts as classical and postclassical, but rather as pagan or Christian; prose, metrical, or rhythmic; and so forth. For people in the Middle Ages, authors who are now labeled ''postclassical ...
... literary historians, did not differentiate texts as classical and postclassical, but rather as pagan or Christian; prose, metrical, or rhythmic; and so forth. For people in the Middle Ages, authors who are now labeled ''postclassical ...
Página 20
... literary parallel to such reutilization in architecture and art was the cento, a type of poetry that was constructed entirely or mainly of lines and phrases quoted from earlier poems. The main quarry for such reuse was the oeuvre of ...
... literary parallel to such reutilization in architecture and art was the cento, a type of poetry that was constructed entirely or mainly of lines and phrases quoted from earlier poems. The main quarry for such reuse was the oeuvre of ...
Página 21
... literary Latin was a skill that had to be won through effort, with formal study being a sine qua non. The need for schooling only grew, since in western Europe the literate forms of Latin and the spoken ones related to it drew apart ...
... literary Latin was a skill that had to be won through effort, with formal study being a sine qua non. The need for schooling only grew, since in western Europe the literate forms of Latin and the spoken ones related to it drew apart ...
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Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote