A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
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... revival of antiquity led him to define the Middle Ages as the period between ancient Greece and Rome, now seen as definitively past, and a present that could be influenced by the best that had been said and done in that past. For the ...
... revival of antiquity led him to define the Middle Ages as the period between ancient Greece and Rome, now seen as definitively past, and a present that could be influenced by the best that had been said and done in that past. For the ...
Página 28
... revival. At least since the Renaissance many scholars have been indoctrinated to accept classical antiquity as the preeminent model of culture and have tended therefore to perceive the Middle Ages as a cycle of cultural collapses and ...
... revival. At least since the Renaissance many scholars have been indoctrinated to accept classical antiquity as the preeminent model of culture and have tended therefore to perceive the Middle Ages as a cycle of cultural collapses and ...
Página 31
... revival of classical antiquity, The Revival of Classical Antiquity of Georg Voigt (1827–91) makes its emphasis clear in the title, and even the synthesis that suggests that there could have been a Renaissance without the revival of ...
... revival of classical antiquity, The Revival of Classical Antiquity of Georg Voigt (1827–91) makes its emphasis clear in the title, and even the synthesis that suggests that there could have been a Renaissance without the revival of ...
Página 36
... revival during the Middle Ages, and Aristotelian scholasticism continued strongly into the Renaissance as well. It is true, however, that Plato was more influential in the Renaissance than he had been in the preceding centuries. Only ...
... revival during the Middle Ages, and Aristotelian scholasticism continued strongly into the Renaissance as well. It is true, however, that Plato was more influential in the Renaissance than he had been in the preceding centuries. Only ...
Página 39
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Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote