A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
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Página 11
... style. In Cambridge, the central university loomed larger, the power of college tutors was curtailed, and teaching outside lectures was conducted in ''supervisions'' that typically lacked the more intense overtones of the Oxford ...
... style. In Cambridge, the central university loomed larger, the power of college tutors was curtailed, and teaching outside lectures was conducted in ''supervisions'' that typically lacked the more intense overtones of the Oxford ...
Página 17
... style characterized them as being truly authoritative: Aulus Gellius (second century AD) sets off the classicus adsiduusque aliquis scriptor (any classical or authoritative writer) against any proletarius writer (Attic Nights 19.8.15 ...
... style characterized them as being truly authoritative: Aulus Gellius (second century AD) sets off the classicus adsiduusque aliquis scriptor (any classical or authoritative writer) against any proletarius writer (Attic Nights 19.8.15 ...
Página 21
... style of ancient authors. In the ninth century, Einhard modeled his Life of Charlemagne (dated variously between 817 and 833) after Suetonius (Innes 1997). In the tenth, Hrotsvitha of Gandersheim (ca. 935–75) set out to supplant the ...
... style of ancient authors. In the ninth century, Einhard modeled his Life of Charlemagne (dated variously between 817 and 833) after Suetonius (Innes 1997). In the tenth, Hrotsvitha of Gandersheim (ca. 935–75) set out to supplant the ...
Página 26
... style that is termed Romanesque has an ambiguous name that was coined to describe an architecture (in vogue from the tenth through the thirteenth centuries, roughly) that stands in the same relation to ancient Roman institutional ...
... style that is termed Romanesque has an ambiguous name that was coined to describe an architecture (in vogue from the tenth through the thirteenth centuries, roughly) that stands in the same relation to ancient Roman institutional ...
Página 27
... style and content burned intensely. A case in point is the blistering contempt that Alan of Lille voices in his Anticlaudianus for the Alexandreis of Walter of Châtillon as well as for the equally classicizing treatment of The Trojan ...
... style and content burned intensely. A case in point is the blistering contempt that Alan of Lille voices in his Anticlaudianus for the Alexandreis of Walter of Châtillon as well as for the equally classicizing treatment of The Trojan ...
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Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote