A Companion to the Classical TraditionCraig W. Kallendorf John Wiley & Sons, 2008 M04 15 - 512 páginas A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies.
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Página 13
... wrote ''A Latin primer: for Kelsey'' for her daughter, who was about to start learning Latin (Rumens 1987: 36). The course being used was the Cambridge Latin Course, set in a vividly recalled Pompeii just before the eruption of Vesuvius ...
... wrote ''A Latin primer: for Kelsey'' for her daughter, who was about to start learning Latin (Rumens 1987: 36). The course being used was the Cambridge Latin Course, set in a vividly recalled Pompeii just before the eruption of Vesuvius ...
Página 21
... wrote in Latin) followed, sometimes consciously, at other times unconsciously, the vocabulary and style of ancient authors. In the ninth century, Einhard modeled his Life of Charlemagne (dated variously between 817 and 833) after ...
... wrote in Latin) followed, sometimes consciously, at other times unconsciously, the vocabulary and style of ancient authors. In the ninth century, Einhard modeled his Life of Charlemagne (dated variously between 817 and 833) after ...
Página 26
... wrote in the twelfth century, a circumstance that is no coincidence. The long twelfth century witnessed extensive ''culture wars,'' in which authors of new Latin texts had to vie for recognition as never before in an ever-more-crowded ...
... wrote in the twelfth century, a circumstance that is no coincidence. The long twelfth century witnessed extensive ''culture wars,'' in which authors of new Latin texts had to vie for recognition as never before in an ever-more-crowded ...
Página 27
... wrote a philosophicalallegorical epic with near complete avoidance of elision, Walter and Joseph produced classicizing epics with heavy use of the same technique. Despite the rifts among the three poets, all of them gauged shrewdly ...
... wrote a philosophicalallegorical epic with near complete avoidance of elision, Walter and Joseph produced classicizing epics with heavy use of the same technique. Despite the rifts among the three poets, all of them gauged shrewdly ...
Página 30
... wrote universal history in which the flow of time was divided either according to a principle articulated by Jerome, whose commentary on Daniel's prophecy about the statue (Daniel 2:31 ff. and 7:1 ff.) led to a succession of four world ...
... wrote universal history in which the flow of time was divided either according to a principle articulated by Jerome, whose commentary on Daniel's prophecy about the statue (Daniel 2:31 ff. and 7:1 ff.) led to a succession of four world ...
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Aeneid aesthetic African American ancient Antigone architecture Aristotle Aristotle’s artists Baroque became central-eastern Europe Christian Cicero classical antiquity classical authors classical texts classical tradition contemporary critics culture developed drama early Eclogue eighteenth century empire English epic essay Euripides European example figures French Freud genre German Greece Heaney Homer Horace human humanist Iliad imitation important influence inspired interpretation Italian Italian Fascism Italy Jesuit language later Latin learning literary literature Medea medieval Middle Ages modern moral myth mythology neoclassicism nineteenth century novel Oedipus Ovid Ovid’s Oxford pagan painting period Petrarch philosophical Plato play poem poet poetic poetry political postcolonial prose published reception reception theory Renaissance revival role Rome scholars scholarship schools seventeenth century sixteenth century Sophocles Spain Spanish Standard Edition Stoic story style T. S. Eliot theater themes theory tragedy translation twentieth century University Vela´zquez Vergil vernacular verse writing wrote