Proceedings of the British Academy, Volumen17British Academy |
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Página 147
British Academy. ANNUAL SHAKESPEARE LECTURE SHAKESPEARE'S ITERATIVE IMAGERY ( i ) AS UNDERSONG ( ii ) AS TOUCHSTONE IN HIS WORK ITE BY CAROLINE F. E. SPURGEON Read May 6 , 1931 TERATIVE imagery , that is the repetition of an idea or ...
British Academy. ANNUAL SHAKESPEARE LECTURE SHAKESPEARE'S ITERATIVE IMAGERY ( i ) AS UNDERSONG ( ii ) AS TOUCHSTONE IN HIS WORK ITE BY CAROLINE F. E. SPURGEON Read May 6 , 1931 TERATIVE imagery , that is the repetition of an idea or ...
Página 149
... Shakespeare's art and its development . I embarked on this task of collecting and classifying the images , because it seemed to me that it might provide a new method of approach to Shakespeare , and I believe I have , by a happy fortune ...
... Shakespeare's art and its development . I embarked on this task of collecting and classifying the images , because it seemed to me that it might provide a new method of approach to Shakespeare , and I believe I have , by a happy fortune ...
Página 167
... Shakespeare's , is , I think , signi- ficant , and points to another mind having been at work on them.I I have said that in this play the images give me reason to think that Shakespeare's hand is visible in parts at least of scenes ...
... Shakespeare's , is , I think , signi- ficant , and points to another mind having been at work on them.I I have said that in this play the images give me reason to think that Shakespeare's hand is visible in parts at least of scenes ...
Contenido
VERGILS CREATIVE ART Annual Lecture on Aspects of Art | 17 |
VIRGIL IN ENGLISH POETRY Warton Lecture on English Poetry | 39 |
VIRGIL Annual Lecture on a Master Mind By J W Mackail | 55 |
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