Proceedings of the British Academy, Volumen17 |
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Página 173
Hamlet's obsession with and revolt from the physical horror of death , his fears and doubts as to the death of the mind , and his final realization that death , not life , is ' felicity ' , the Duke's arguments to prove that the best of ...
Hamlet's obsession with and revolt from the physical horror of death , his fears and doubts as to the death of the mind , and his final realization that death , not life , is ' felicity ' , the Duke's arguments to prove that the best of ...
Página 174
death , which laugh'st us here to scorn ' ; a bogy masked to frighten children , as when the messenger after the battle of Shrewsbury cries : .. hateful death put on his ugliest mask To fright our party .
death , which laugh'st us here to scorn ' ; a bogy masked to frighten children , as when the messenger after the battle of Shrewsbury cries : .. hateful death put on his ugliest mask To fright our party .
Página 175
May we dare to conjecture from his many other images something of Shakespeare's own view of death ? I believe we may Even a glance at his pictures of life gives us some clue to its opposite . Thus , life is a voyage , uncertain and ...
May we dare to conjecture from his many other images something of Shakespeare's own view of death ? I believe we may Even a glance at his pictures of life gives us some clue to its opposite . Thus , life is a voyage , uncertain and ...
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ANNUAL REPORT 19301 | 7 |
VERGILS CREATIVE ARt Annual Lecture on Aspects of Art | 14 |
VIRGIL IN ITALIAN POETRY Annual Italian Lecture By Edmund | 28 |
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