Adorno on MusicPsychology Press, 1998 - 213 páginas Adorno is one of the leading cultural thinkers of the twentieth century. This is the first detailed account of Adorno's texts on music from a sociological perspective. In clear, non-technical language, Robert Witkin guides the reader through the complexities of Adorno's argument about the link between music and morality and between musical works and social structure. It was largely through these works Adorno established the right of the arts to be acknowledged as a moral and critical force in the development of a modern society. By recovering them for non-musicologists, Witkin adds immeasurably to our appreciation of this giant of twentieth-century thought. |
Contenido
Musica moralia | 1 |
Society in sonataform | 28 |
Beethoven late and soon | 50 |
Wagner | 70 |
Breaking the code | 94 |
Mahler and Berg | 108 |
Schoenberg | 129 |
Stravinsky | 144 |
The culture industry and all that jazz | 160 |
Taking a critical line for a walk | 181 |
| 201 | |
Otras ediciones - Ver todas
Términos y frases comunes
according to Adorno achieved Adorno argues Adorno saw aesthetic Alban Berg alienated appears artist atonal avant-garde banal becomes Beethoven Berg bourgeois bourgeois society centre character claims classical tonality commodification commodity composer composition consciousness constituted construction context critical critique Cubist culture industry de-sociated deconstructed dialectical disjunction division of labour domination drama elements expression force forms Gracyk harmony historical identified identity ideology individual and society integral interaction intra-subjective late style Louis Armstrong Lukács machinery Mahler mass means mediated modern music modern society modernist art modernist music motives movement musical language musical material musicians neo-classicism novel organisation philosophy praxis primitivism production progressive rational-technical realised reflected regressive relationship s/he Schoenberg second Viennese school seen semiotic sense sensibility sensuous social relations sociology sonata sonata-form Stravinsky Stravinsky's music structure subject and object symphonies temporality Theodor Adorno theory tion totalitarian totality tradition twelve-tone technique Viennese Wagner's music whole