An Inquiry Into the Beauties of Painting: And Into the Merits of the Most Celebrated Painters, Ancient and Modern, Tema 2

Æneid ancients angel antiquity Apelles artiſts beauty beſt cafe character Clear obfcure colours compariſon compofition Correggio courſe defcribed defcription defign difpofition diftinguiſh effect elegant Euphranor excellent expreffed expreffion fame fays fecond fect feem fenfe fenfible feveral fhall fhould fimple fimplicity firft firſt fome fpirit fplendor fpring ftatuaries ftatues ftyle fubject fublime fuch fufficient fuperior fuppofe genius give grace greateſt Greek Hence himſelf ideas imagination imitation itſelf jects juft juſt laft Laocoon laſt lefs lights and fhades mafter meaſure mechanick Medea merit moderns moft moſt muft muſt nature obferve objects occafion paffions painters painting Parrhafius pencil perfect perfon Phidias Philoftratus picture pleafing pleaſe pleaſure Plin Pliny Plutarch poet praiſes Praxiteles racter Raphael reafon reprefented ſcience ſeems ſtill ſtudy taſte tenderneſs thefe themſelves theſe thofe thoſe Timanthes Timomachus tion Titian underſtanding uſe Venus xxxv Zeuxis γαρ δε εν και μεν τοις