Lectures on Painting, Delivered at the Royal Academy of Arts: With a Letter on the Proposal for a Public Memorial of the Naval Glory of Great BritainLongman, Hurst, Rees and Orme, 1809 - 269 páginas |
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Términos y frases comunes
admiration AMELIA OPIE ancients appear artist attempt attention beauty branch canvass Caravaggio Carracci character chiaro scuro Cimabue circumstances colour composition conception considered copy Correggio defects degree delight drawing effect eminent endeavour energy equally excellence execution exhibited expression feel figures force friends genius Giorgione give grace Guido Reni harmony Hence honour ideas imagination imitation invention John JOHN OPIE justly kind labour learned lectures Leonardo da Vinci light and shadow manner masters means ment merits Michael Angelo mind nature never Northcote Norwich object observed Opie Opie's opinion painter painting passion pencil perfection picture pleasure poet portrait possessed powers practice principles produced proper propriety racter Raffaelle remark Rembrandt rendered respect ROYAL ACADEMY Rubens sentiment shade Sir Joshua Reynolds Somerset House spect splendour style of design sublime superior talents taste thing thought Tintoretto tion Titian true truth vivacity whole wish
Pasajes populares
Página 58 - Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights, and live laborious days : But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears And slits the thin-spun life. But not the praise...
Página 156 - Pretty ! in amber to observe the forms Of hairs, or straws, or dirt, or grubs, or worms ! The things, we know, are neither rich nor rare, But wonder how the devil they got there.
Página 68 - ... Historian, have no dominion over the Poet or the Painter. With us, History is made to bend and conform to this great idea of Art. And why ? Because these Arts, in their highest province, are not addressed to the gross senses ; but to the desires of the mind, to that spark of divinity which we have within, impatient of being circumscribed and pent up by the world which is about us.
Página 57 - ... with all the modes of life. His character requires that he estimate the happiness and misery of every condition; observe the power of all the passions in all their combinations, and trace the changes of the human mind as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness of infancy to the despondence of decrepitude.
Página 47 - ... necessary to complete the effect of his design ; and that, from aiming always to be great, he often violated propriety, neglected the proper discrimination of character, and not seldom pushed it into monotony and bombast.
Página 62 - Here, among others, he painted the whole household of the ancient and respectable family of Prideaux, even to the dogs and cats of the family. He remained, so long absent from home, that some uneasiness began to arise on his account, but it was dissipated by his returning dressed...
Página 162 - ... better : it is here as in personal attractions; there is frequently found a certain agreement and correspondence in the whole together, which is often more captivating than mere regular beauty.
Página 98 - And vanquish'd realms supply recording gold? Here, rising bold, the patriot's honest face. There warriors frowning in historic brass.
Página 163 - Lorraine finished more minutely, as becomes a professor in any particular branch, yet there is such an airiness and facility in the landscapes of Rubens, that a painter would as soon wish to be the author of them as those of Claude, or any other artist whatever.
Página 76 - are the people of this country to the sight of portraiture only, that they can scarcely as yet consider painting in any other light ; they will hardly admire a landscape that is not a view of a particular place, nor a history unless composed of likenesses of the persons represented, and are apt to be staggered, confounded, and wholly unprepared to follow such vigorous flights of imagination as would • — a$ mil be felt and applauded with enthusiasm in a more advanced and liberal stage of criticism.