There was one time in his past that he devoted to multichorded structures. He was interested in chords for their own sake. But now it seemed that he was moving in the opposite direction to the use of fewer and fewer chord changes in songs. He used tunes...
Hard Bop: Jazz and Black Music 1955-1965 - Página 146
por the late David H. Rosenthal - 1993 - 223 páginas
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