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" Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way — through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show... "
Hard Bop: Jazz and Black Music 1955-1965 - Página 149
por the late David H. Rosenthal - 1993 - 223 páginas
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Jazz Matters: Reflections on the Music & Some of Its Makers

Douglas K. Ramsey - 1989 - 314 páginas
...close to a musical architect of the highest order. 1 felt I learned from him in every way — through the senses, theoretically, technically. I would talk...he would sit at the piano and show me the answers by playing them. I could watch him play and find out the things I wanted to know. Also, I could see...
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John Coltrane: His Life and Music

Lewis Porter - 1999 - 409 páginas
...close to a musical architect of the highest order. I felt I learned from him in every way — through the senses, theoretically, technically. I would talk...piano and show me the answers just by playing them." Coltrane started playing longer solos with Monk: "[Monk] also got me into the habit of playing long...
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