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" framework" on piano so that they are all familiar with my interpretation and feeling and with the scale and chord progressions. . . . Each man's particular style is taken into consideration. They are given different rows of notes to use against each chord... "
Hard Bop: Jazz and Black Music 1955-1965 - Página 140
por the late David H. Rosenthal - 1993 - 223 páginas
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Adorno on Music

Robert Winston Witkin - 1998 - 213 páginas
...with the scale and chord progressions . . . each man's particular style is taken into consideration. They are given different rows of notes to use against...where a particular mood is indicated. In this way I can keep my own compositional flavour . . . and yet allow the musicians more individual freedom in...
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Collected Works: A Journal of Jazz 1954-2001

Whitney Balliett - 2002 - 880 páginas
...with the scale and chord progressions. . . . Each man's particular style is taken into consideration. They are given different rows of notes to use against...where a particular mood is indicated. In this way I can keep my own compositional flavor . . . and yet allow the musicians more individual freedom in the...
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Academy Zappa: Proceedings of the First International Conference of ...

Ben Watson, Esther Leslie - 2005 - 255 páginas
...Frank Zappa, "Cocaine Decisions", You Can't Do That on Stage Anymore Vol.3, 1988. 7. The musicians 'are given different rows of notes to use against...their own notes and play them in their own style', Charles Mingus cited by Diane DorrDorynek in the liner notes to Mingus Ah Urn (1959). 8. Hans Richter,...
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