Seminar, Volúmenes521-526R. Thapar, 2003 |
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Página 19
... Hindi film . Love , which we will briefly look at two : the discovery of Hindi cinema by some foreign directors , which leads to a reification of its most obvious distin- guishing properties as constituting its permanent identity ; and ...
... Hindi film . Love , which we will briefly look at two : the discovery of Hindi cinema by some foreign directors , which leads to a reification of its most obvious distin- guishing properties as constituting its permanent identity ; and ...
Página 53
... Hindi film aficionado no sense of the familiar , and he is noth- ing but a real - seeming character . He does not contribute to the accumulat- ing history of gesture , modulation and walk through which the Hindi film inflects the ...
... Hindi film aficionado no sense of the familiar , and he is noth- ing but a real - seeming character . He does not contribute to the accumulat- ing history of gesture , modulation and walk through which the Hindi film inflects the ...
Página 55
... Hindi film again . The question of fact is not so much related to the question of veridicality or truth but to the issue of memory . History in the Hindi film is about remembering , a comment on reality , and not about verisimilitude ...
... Hindi film again . The question of fact is not so much related to the question of veridicality or truth but to the issue of memory . History in the Hindi film is about remembering , a comment on reality , and not about verisimilitude ...
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