Seminar, Volúmenes521-526R. Thapar, 2003 |
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Página 16
... cinema in India . ( Can we imagine Hollywood or even the acclaimed French new wave cinema providing any one with such kinds of emotional / expressive resources ? Perhaps , but that would involve a completely differ- ent form of life ...
... cinema in India . ( Can we imagine Hollywood or even the acclaimed French new wave cinema providing any one with such kinds of emotional / expressive resources ? Perhaps , but that would involve a completely differ- ent form of life ...
Página 22
... cinema , 2 with some of the traditional focuses of cinema studies . These include the interpretation of films in terms of their formal strategies and the way they place spectators in terms of social and political perception ; and , more ...
... cinema , 2 with some of the traditional focuses of cinema studies . These include the interpretation of films in terms of their formal strategies and the way they place spectators in terms of social and political perception ; and , more ...
Página 30
30 I films . Beyond vague generalizations cinema theatre in Madras . ship . For example , Vasudevan has argued that Bombay cinema of the 1940s and 1950s textually constructed the subjectivity of the spectator by inviting him / her to ...
30 I films . Beyond vague generalizations cinema theatre in Madras . ship . For example , Vasudevan has argued that Bombay cinema of the 1940s and 1950s textually constructed the subjectivity of the spectator by inviting him / her to ...
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