The Master-mistress: A Study of Shakespeare's Sonnets

A. C. Bradley actual admits Adonis allusion appear argument association attitude autobiographical theory behaviour C. H. Herford C. S. Lewis character compliment concepts conflict counterfeit creative critic Dark Lady describes divided doth Dover Wilson Dowden dualistic E. K. Chambers equivocal expression eyes false fault feelings figure friend's beauty group of sonnets hint ideas identity imaginative experience impulse interest involved judgement Julia knows lady's later lover Lucrece lust main sequence meaning mistress moral narrative poems nature peare's perversity Petrarchan plays poet's poetic poetry praise purpose reader realise recognise reference regard relationship remark represents reveals rival poet seems self-conflict self-love sense sequence sexual shadow Shakes Shakespeare's imaginative shame situation Sonnet 20 Sonnet 35 Sonnet 87 Sonnet 94 speaker story suggests suppose that Shakespeare Tarquin tells thee theme thyself tion true truth Venus Venus and Adonis writing young man's