What the Music Said: Black Popular Music and Black Public CultureRoutledge, 2013 M09 13 - 215 páginas First Published in 1999. In What the Music Said, Mark Anthony Neal provides a timely study of from be-bop to Hip Hop. This book looks at the last fifty years of black popular music and provides an intriguing portrait of the existential and social forces that drove black communities to make music in protest, reaction and to fulfil their material and spiritual needs. |
Dentro del libro
Resultados 1-5 de 82
Página xi
... American experience , and that the quality and breadth of such critiques are wholly related to the quality of life ... American diaspora . The crux of my thesis is , perhaps , best represented in the relationship of the Civil Rights ...
... American experience , and that the quality and breadth of such critiques are wholly related to the quality of life ... American diaspora . The crux of my thesis is , perhaps , best represented in the relationship of the Civil Rights ...
Página xii
... Americans over the past five decades . There are lots of artists whom I wish I could have exam- ined in the context ... American working class of my parent's generation and the dislocated urban masses of our contemporary moment . But I ...
... Americans over the past five decades . There are lots of artists whom I wish I could have exam- ined in the context ... American working class of my parent's generation and the dislocated urban masses of our contemporary moment . But I ...
Página 2
... America . Given the oppression and repression of blacks , black critiques of American society can best be understood in the context of what James C. Scott has identified as " hidden transcripts . " These transcripts have historical- ly ...
... America . Given the oppression and repression of blacks , black critiques of American society can best be understood in the context of what James C. Scott has identified as " hidden transcripts . " These transcripts have historical- ly ...
Página 3
... American public life , because their legal status , as commodities , denied them citizenship . The subsequent emancipation of blacks gave them a new legal status but did little to lift them from the bottom of America's social hierarchy ...
... American public life , because their legal status , as commodities , denied them citizenship . The subsequent emancipation of blacks gave them a new legal status but did little to lift them from the bottom of America's social hierarchy ...
Página 4
... American acceptance or appropriation of Christian ideology allowed the black spiritual tradition to develop with relative autonomy , since Christianity was generally perceived among the white elite as a positive socializing force . The ...
... American acceptance or appropriation of Christian ideology allowed the black spiritual tradition to develop with relative autonomy , since Christianity was generally perceived among the white elite as a positive socializing force . The ...
Contenido
CHAPTER | 25 |
CHAPTER | 55 |
CHAPTER THREE | 85 |
CHAPTER FOUR | 101 |
CHAPTER FIVE | 125 |
CHAPTER | 159 |
Endnotes | 173 |
Index | 191 |
Otras ediciones - Ver todas
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Vista previa limitada - 2013 |
Términos y frases comunes
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