What the Music Said: Black Popular Music and Black Public CultureRoutledge, 2013 M09 13 - 215 páginas First Published in 1999. In What the Music Said, Mark Anthony Neal provides a timely study of from be-bop to Hip Hop. This book looks at the last fifty years of black popular music and provides an intriguing portrait of the existential and social forces that drove black communities to make music in protest, reaction and to fulfil their material and spiritual needs. |
Dentro del libro
Resultados 1-5 de 84
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... largely about communities , communities under siege and in crisis , but also communities engaged in various modes of resistance , cri- tique , institution building , or simply taking time to get their " swerve on . " When I'm pressed ...
... largely about communities , communities under siege and in crisis , but also communities engaged in various modes of resistance , cri- tique , institution building , or simply taking time to get their " swerve on . " When I'm pressed ...
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... largely an examination of the black popular music tradition of the past fifty years ( bebop to hip - hop ) . I maintain that the black popular music tradition has served as a primary vehicle for communally derived critiques of the ...
... largely an examination of the black popular music tradition of the past fifty years ( bebop to hip - hop ) . I maintain that the black popular music tradition has served as a primary vehicle for communally derived critiques of the ...
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... largely denied access to American public life , because their legal status , as commodities , denied them citizenship . The subsequent emancipation of blacks gave them a new legal status but did little to lift them from the bottom of ...
... largely denied access to American public life , because their legal status , as commodities , denied them citizenship . The subsequent emancipation of blacks gave them a new legal status but did little to lift them from the bottom of ...
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... largely shrouded in African and African - American rhetorical practices . Furthermore , the church pulpit emerged as a natural conduit for black male sensibilities , which were singularly represented in the oratory tradition of the ...
... largely shrouded in African and African - American rhetorical practices . Furthermore , the church pulpit emerged as a natural conduit for black male sensibilities , which were singularly represented in the oratory tradition of the ...
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... largely pred- icated on the realities of segregated housing , a reality legalized with the Plessy vs. Ferguson Supreme Court decision of 1896 , which parlayed " sepa- rate but equal " status as a rubric of racial coexistence.7 Evelyn ...
... largely pred- icated on the realities of segregated housing , a reality legalized with the Plessy vs. Ferguson Supreme Court decision of 1896 , which parlayed " sepa- rate but equal " status as a rubric of racial coexistence.7 Evelyn ...
Contenido
CHAPTER | 25 |
CHAPTER | 55 |
CHAPTER THREE | 85 |
CHAPTER FOUR | 101 |
CHAPTER FIVE | 125 |
CHAPTER | 159 |
Endnotes | 173 |
Index | 191 |
Otras ediciones - Ver todas
What the Music Said: Black Popular Music and Black Public Culture Mark Anthony Neal Vista previa limitada - 2013 |
Términos y frases comunes
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