Milton Criticism: Selections from Four CenturiesJames Thorpe Octagon Books, 1966 - 376 páginas |
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Página 50
... speak himself , but throw as much of his work as he can into the mouths of those who are his principal actors . Aristotle has given no reason for this precept ; but I presume it is because the mind of the reader is more awed and ...
... speak himself , but throw as much of his work as he can into the mouths of those who are his principal actors . Aristotle has given no reason for this precept ; but I presume it is because the mind of the reader is more awed and ...
Página 268
... speaking voice , is to blame it for being just what it intends to be and ought to be . It is like damning an opera or ... speak of Milton's style as organ music . It might be more helpful to regard the reader as the organ and Milton as ...
... speaking voice , is to blame it for being just what it intends to be and ought to be . It is like damning an opera or ... speak of Milton's style as organ music . It might be more helpful to regard the reader as the organ and Milton as ...
Página 322
... speak according to the particular sin which each represents . It would not be suitable that the in- fernal powers should have , in the human sense , characters , for a character is always mixed ; but in the hands of an inferior ...
... speak according to the particular sin which each represents . It would not be suitable that the in- fernal powers should have , in the human sense , characters , for a character is always mixed ; but in the hands of an inferior ...
Contenido
Preface | 3 |
Joseph Addison six Spectator PAPERS ON Paradise Lost | 23 |
Jonathan Richardson EXPLANATORY NOTES AND REMARKS | 54 |
Derechos de autor | |
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Términos y frases comunes
action Adam and Eve admiration Aeneid ancient angels Areopagitica Aristotle beauty believe blank verse Book called character Christ Christian Christian humanism Comus conscious critics death diction dise Lost divine drama Dryden earth eighteenth century English poet English poetry essay evil expression fable fall feel genius give Greek happiness Heaven Hell hero Homer human Ibid ideas Iliad images imagination John Milton language Latin learning less lines Lycidas mankind meaning ment Milton Milton's thought Milton's verse mind modern moral nature never Ovid Paradise Lost Paradise Regained particular passage passion perfect perhaps persons philosophy phrase poet poet's poetic poetry praise prose Puritan reader reason Renaissance rhyme rhythm Samson Samson Agonistes Satan seems sense sentiments Shakespeare speaks speech Spenser spirit stanza story sublime thee theme things thou tion ton's true truth Virgil virtue whole words writing