The Folk Performing Arts: Traditional Culture in Contemporary Japan

Portada
SUNY Press, 1997 M01 1 - 203 páginas
This is the first full-length study in English of Japan's folk performing arts covering such topics as the different categories of presentations, public policies affecting the folk performing arts, performance events within and without communities, and the folk performing arts in literature. Throughout, it addresses issues concerning the survival and preservation of traditional culture in contemporary Japan.

Once largely unknown outside of their local community settings, Japan's folk performing arts have today captured universal attention. In Japan, almost every municipality is home to one or more of the diverse dramatic, dance, narrative, and musical presentations that make up the folk performing arts. They can be seen at events that range from long-established festivals to newly created folk-culture and tourist programs.

Since the 1920s, a growing body of work by folklorists, theater historians, and other academic specialists, together with literary treatment by well-known authors, brought the folk performing arts into the national cultural spotlight. The postwar Cultural Properties Protection Law conferred on them the status of legally designated cultural assets.

 

Contenido

Overview
1
A History of Scholarship in the Folk
41
The Cultural Properties Protection
55
The Festival
67
Conventions
76
Museum as Stage
82
Shows for Tourists
89
Communities and Their Folk Performing
97
Hayachine Kagura
110
1
153
36
159
86
162
Notes
169
Bibliography
180
Index
197
Derechos de autor

Itabashi no Taasobi
104

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Referencias a este libro

Bamboo in Japan
Nancy Moore Bess,Bibi Wein
Vista previa limitada - 2001

Acerca del autor (1997)

Barbara E. Thornbury is Associate Professor of Japanese at Temple University.

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