A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página xiv
... reception. He is the author of Achilles in Greek Tragedy (2002) and Euripides' 'Iphigenia' at Aulis (2006). He has also co-edited two collections of essays, Homer, Tragedy and Beyond: Essays in Honour xiv Notes on Contributors.
... reception. He is the author of Achilles in Greek Tragedy (2002) and Euripides' 'Iphigenia' at Aulis (2006). He has also co-edited two collections of essays, Homer, Tragedy and Beyond: Essays in Honour xiv Notes on Contributors.
Página xvi
... Achilles: Classical Receptions in British Poetry of the Great War (2010) is published in the series Classical Presences. She has published articles on a variety of topics, including Catullus; Livy; classical reception; and translation ...
... Achilles: Classical Receptions in British Poetry of the Great War (2010) is published in the series Classical Presences. She has published articles on a variety of topics, including Catullus; Livy; classical reception; and translation ...
Página 28
... Achilles (e.g. Powell 1991; cf. West 1998, though he would resist calling the man 'Homer': West 1999). These different conceptions dramatically affect the project of studying his ancient reception since, depending on our conceptual ...
... Achilles (e.g. Powell 1991; cf. West 1998, though he would resist calling the man 'Homer': West 1999). These different conceptions dramatically affect the project of studying his ancient reception since, depending on our conceptual ...
Página 34
... Achilles from the wall, except for Andromache herself, who is preparing a bath for him at home, even though by then he is already dead. Euripides' Andromache is a self-righteous young woman: she knows that she is – unavoidably, after ...
... Achilles from the wall, except for Andromache herself, who is preparing a bath for him at home, even though by then he is already dead. Euripides' Andromache is a self-righteous young woman: she knows that she is – unavoidably, after ...
Página 38
... Achilles and Agamemnon who exhibit arrogance, anger, despair and are generally out of control of their emotions. Since Plato, in common with many of his contemporaries, believed that you inevitably become the kind of person you are ...
... Achilles and Agamemnon who exhibit arrogance, anger, despair and are generally out of control of their emotions. Since Plato, in common with many of his contemporaries, believed that you inevitably become the kind of person you are ...
Contenido
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26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words