A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
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Página vii
... Athenian Production of Aeschylus' Oresteia Gonda Van Steen Multicultural Reception: Greek Drama in South Africa in the Late Twentieth and Early Twenty-first Centuries Betine van Zyl Smit Putting the Class into Classical Reception Edith ...
... Athenian Production of Aeschylus' Oresteia Gonda Van Steen Multicultural Reception: Greek Drama in South Africa in the Late Twentieth and Early Twenty-first Centuries Betine van Zyl Smit Putting the Class into Classical Reception Edith ...
Página xv
... Athenian sex and sexuality. Hanna M. Roisman is the Francis F. Bartlett and K. Bartlett Professor of Classics at Colby College, Waterville, Maine. She specializes in Early Greek Epic, Greek and Roman tragedy, as well as in Classics and ...
... Athenian sex and sexuality. Hanna M. Roisman is the Francis F. Bartlett and K. Bartlett Professor of Classics at Colby College, Waterville, Maine. She specializes in Early Greek Epic, Greek and Roman tragedy, as well as in Classics and ...
Página 30
... Athenian festival: the Great Dionysia. This difference may account for the fact that contradictions abound in the work of the playwrights (for example: Euripides' portrayal of Helen changes drastically from play to play); whereas they ...
... Athenian festival: the Great Dionysia. This difference may account for the fact that contradictions abound in the work of the playwrights (for example: Euripides' portrayal of Helen changes drastically from play to play); whereas they ...
Página 34
... Athenian playwrights avoided direct reworkings of the Iliad and the Odyssey, preferring instead to base their plays on stories featured in the cyclic epics. These, as we have seen, were also considered Homeric; though it seems that ...
... Athenian playwrights avoided direct reworkings of the Iliad and the Odyssey, preferring instead to base their plays on stories featured in the cyclic epics. These, as we have seen, were also considered Homeric; though it seems that ...
Página 36
... Athenian drama. Later receptions are then assumed to approach the Homeric poems through the poetry of Virgil. Yet such linear models of reception are problematic not just because Greek engagements with Homer continued long after the ...
... Athenian drama. Later receptions are then assumed to approach the Homeric poems through the poetry of Virgil. Yet such linear models of reception are problematic not just because Greek engagements with Homer continued long after the ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Términos y frases comunes
Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words