A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página xiv
... Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium (2004), and Agamemnon in Performance, 458 BC to AD 2004 (2005). Marianne McDonald is Professor of Theatre and Classics in the Department of Theatre at the University ...
... Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium (2004), and Agamemnon in Performance, 458 BC to AD 2004 (2005). Marianne McDonald is Professor of Theatre and Classics in the Department of Theatre at the University ...
Página xv
... Dionysus: An Essay on the Birth of Tragedy (both 2000) and editor, most recently, of Classical Pasts: The Classical Traditions of Greece and Rome (2006). He has just completed The Origins of Aesthetic Inquiry in Antiquity: Matter ...
... Dionysus: An Essay on the Birth of Tragedy (both 2000) and editor, most recently, of Classical Pasts: The Classical Traditions of Greece and Rome (2006). He has just completed The Origins of Aesthetic Inquiry in Antiquity: Matter ...
Página 45
... Dionysus where most theatrical performances took place, attended by up to 14,000 spectators. The contexts which Plato constructs for his dialogues tend, in contrast, to be the more exclusive venues frequented by the wealthy and socially ...
... Dionysus where most theatrical performances took place, attended by up to 14,000 spectators. The contexts which Plato constructs for his dialogues tend, in contrast, to be the more exclusive venues frequented by the wealthy and socially ...
Página 47
... Dionysus and other prominent places, are no longer at the centre. The question which Socrates continually repeats to his audience is whether or not dramatic poets should be 'admitted': (paradechesthai and cognates) from outside the ...
... Dionysus and other prominent places, are no longer at the centre. The question which Socrates continually repeats to his audience is whether or not dramatic poets should be 'admitted': (paradechesthai and cognates) from outside the ...
Página 226
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Contenido
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26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Términos y frases comunes
Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words